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I seek stories that come from old growth America, to travel as Gary Snyder says in his poem “The Way West, Underground”, from Oregon all the way back to the caves of Europe “eating berries all the way”.
Stories and songs are vagrant. They travel like burrs on the pant legs of nomads. As stories journey along lines of speech in vastly different image worlds they retain the same bones but wear different flesh. This work draws inspiration through a constellation of story points: the medieval epic of Perceval and Gawain consorting with Leslie Marmon Silko’s novel Ceremony. In both stories it requires a realignment of myth and ritual to heal the wound of the land. Robert Bringhurst’s translations of two Haida epics by the mythtellers Ghandl and Skaay meet The Odyssey by way of Harry Smith’s Anthology of American Folk Music. Shards of vernacular folk songs, disparate epics and stories from the edge of the forest will move through the studio.
This is archaeology and spirit conjuring.
I seek stories that come from old growth America, to travel as Gary Snyder says in his poem “The Way West, Underground”, from Oregon all the way back to the caves of Europe “eating berries all the way”.
Stories and songs are vagrant. They travel like burrs on the pant legs of nomads. As stories journey along lines of speech in vastly different image worlds they retain the same bones but wear different flesh. This work draws inspiration through a constellation of story points: the medieval epic of Perceval and Gawain consorting with Leslie Marmon Silko’s novel Ceremony. In both stories it requires a realignment of myth and ritual to heal the wound of the land. Robert Bringhurst’s translations of two Haida epics by the mythtellers Ghandl and Skaay meet The Odyssey by way of Harry Smith’s Anthology of American Folk Music. Shards of vernacular folk songs, disparate epics and stories from the edge of the forest will move through the studio.
This is archaeology and spirit conjuring.
Those Who were Hanged
96 by 72 inches, acrylic on unstretched canvas, 2019
Root Gossip
96 by 72 inches, acrylic on unstretched canvas, 2019
Still Life with Wild Man and Bread
24 by 30 inches, oil on canvas, 2021
Still Life with Wild Man and Citrus
24 by 30 inches, oil on panel, 2021
Estuary
24 by 48 inches, oil on panel, 2021
Bly and Neruda go for a walk
24 by 24 inches, oil on panel, 2022
The Poet's Communion
48 by 72 inches, oil on unstretched canvas, 2021
Two Young Men at Table (After Velazquez)
32.5 by 51 inches, oil on canvas, 2022
Platter: Through the Iron Hulk, an opening
ceramic 14 by 14 by 4 inches, 2023
Platter: Through the Iron Hulk, an opening, side view
ceramic, 14 by 14 by 4 inches, 2023
Platter: Fallen tree, root system
ceramic, 20 by 21 by 22 by 5 inches, 2023
Cut tree with old burn pile
45 by 36 inches, watercolor on paper, 2023
Tangled roots; Kelley Point Park
watercolor on paper, 45 by 36 inches, 2023