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The works making up the series “American Underland” are meditations on deep, geologic time and its gravitational pull on history. The works– comprising landscapes, large narrative drawings and ceramic sculptures–arise from the tangled myth and history of American land. They are attempts to reveal the crackling, animist life that exists in the rocks, trees and memories of the land. The works are meant to address the larger-than-human from an almost shamanic perspective
The motifs filling “American Underland” are the Janus head, coyotes, the Tarot and landscapes. Janus is the Roman god of doorways, of ending and beginnings. The double faced god presided over city gates marking times of war and peace. Coyote, too, has many faces. His stories are bawdy, absurd and alive with the electricity of a living landscape. The landscapes are made up of caves, fallen trees and entrances into the underworld. These are core samples into the chthonic energies rumbling beneath the ground that animate the collective unconscious of the nation.
The works pictured were exhibited at The Archer Gallery at Clark College in Vancouver, Washington from September 12, 2024 to December 20, 2024.
For purchase inquiries go to Mark Moore Fine Art
The works making up the series “American Underland” are meditations on deep, geologic time and its gravitational pull on history. The works– comprising landscapes, large narrative drawings and ceramic sculptures–arise from the tangled myth and history of American land. They are attempts to reveal the crackling, animist life that exists in the rocks, trees and memories of the land. The works are meant to address the larger-than-human from an almost shamanic perspective
The motifs filling “American Underland” are the Janus head, coyotes, the Tarot and landscapes. Janus is the Roman god of doorways, of ending and beginnings. The double faced god presided over city gates marking times of war and peace. Coyote, too, has many faces. His stories are bawdy, absurd and alive with the electricity of a living landscape. The landscapes are made up of caves, fallen trees and entrances into the underworld. These are core samples into the chthonic energies rumbling beneath the ground that animate the collective unconscious of the nation.
The works pictured were exhibited at The Archer Gallery at Clark College in Vancouver, Washington from September 12, 2024 to December 20, 2024.
For purchase inquiries go to Mark Moore Fine Art
Coyote’s Travels: Strength
40 x 51.5 inches, oil pastel, conte crayon and graphite on paper, 2024
Coyote’s Travels: The Hanged Man
48 x 51.5 inches, oil pastel, conte crayon and graphite on paper, 2024
Coyote’s Travels: The Chariot
40 x 51.5 inches, oil pastel, conte crayon and graphite on paper, 2024
Coyote’s Travels: The Fool and Death
36 x 51.5 inches, oil pastel, conte crayon and graphite on paper, 2024
Paisley Caves 1
48 x 60.5 inches, oil on panel, 2024
Paisley Caves 2
48 x 54 inches, oil on canvas, 2024
Fire fallen tree, Punch Bowl
40 by 60 inches, oil on canvas, 2024
American Underland
67 inches by 84 inches, oil on unstretched canvas, 2024
Archer installation view
In foreground: Janus of Bread and Honey, to left is Incendiary Gonfalon, Paisley Cave 1 and 2 on wall
Janus of the Crossroads
68.5 by 98 by 93 inches, ceramic, wood, branches and shadow puppets, 2024
Alchemical Chamber for Lost Land
36 by 28 by 16 inches, ceramic, honeycomb and canvas, 2024