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The Naked Boy is a birth-of-the-nation myth. The Naked Boy is spit out of the mouth of a white whale in early spring. A group of crows give him the task of rescuing his twin sister from Ursa Major- The Great Bear. In order to achieve this, he must follow the railroad west across the continent. Forces for and against The Naked Boy converge with cataclysmic results. Under the surface of the adventure story in The Naked Boy is an allegory of North America. The Naked Boy uses the Bear Mother myth, an indigenous myth of the northern hemisphere, as a scaffold. The landscape in which The Naked Boy unfolds is an amalgam of American myth and history. The story has the logic of a dream. Incongruous historical figures and times coexist. Many of the characters are based on historical figures from Walt Whitman and Cotton Mather to Gloria Steinem and Angela Davis. The story follows the arc of a cyclical, seasonal myth. The Naked Boy makes landfall in early spring and culminates with a harvest time election.
The Naked Boy Parts 1-3 are available from Lulu Publishers. The entire graphic novel will be collected in one volume. The Naked Boy was shown as an installation of wall drawings, comic pages and sculptures at Atlanta Center For Contemporary Art in 2008. In 2011 and 2012 a series of letterpress and woodcut posters inspired by The Naked Boy appeared on telephone poles and community boards around the world. The story is the basis for an installation of wheat pasted woodcuts traveling in the exhibition We Tell Ourselves Stories in Order To Live. The show began at Museum of Contemporary Craft in 2013 and traveled to Weber State University in Ogden, Utah and the Jordan Schnitzer Museum in Eugene, Oregon in 2014.
The Naked Boy is a birth-of-the-nation myth. The Naked Boy is spit out of the mouth of a white whale in early spring. A group of crows give him the task of rescuing his twin sister from Ursa Major- The Great Bear. In order to achieve this, he must follow the railroad west across the continent. Forces for and against The Naked Boy converge with cataclysmic results. Under the surface of the adventure story in The Naked Boy is an allegory of North America. The Naked Boy uses the Bear Mother myth, an indigenous myth of the northern hemisphere, as a scaffold. The landscape in which The Naked Boy unfolds is an amalgam of American myth and history. The story has the logic of a dream. Incongruous historical figures and times coexist. Many of the characters are based on historical figures from Walt Whitman and Cotton Mather to Gloria Steinem and Angela Davis. The story follows the arc of a cyclical, seasonal myth. The Naked Boy makes landfall in early spring and culminates with a harvest time election.
The Naked Boy Parts 1-3 are available from Lulu Publishers. The entire graphic novel will be collected in one volume. The Naked Boy was shown as an installation of wall drawings, comic pages and sculptures at Atlanta Center For Contemporary Art in 2008. In 2011 and 2012 a series of letterpress and woodcut posters inspired by The Naked Boy appeared on telephone poles and community boards around the world. The story is the basis for an installation of wheat pasted woodcuts traveling in the exhibition We Tell Ourselves Stories in Order To Live. The show began at Museum of Contemporary Craft in 2013 and traveled to Weber State University in Ogden, Utah and the Jordan Schnitzer Museum in Eugene, Oregon in 2014.
Naked Boy Part 1
Available from Lulu Publishers.
Naked Boy Part 2
Available from Lulu Publishers.
The Naked Boy Part 3
Available from Lulu Publishers.
Naked Boy page
The Naked Boy meets Lyle and Abigail Walters (Walt Whitman and Gloria Steinem/Hester Prynne) from Part 1.
Naked Boy page
The Naked Boy grows larger and Lyle Walters (Walt Whitman) awakes to his spirit self. From Part 1
Naked Boy page
The Naked Boy meets a family of escaping slaves (Bobby Seale, Angela Davis, Frederick Douglass, Sojourner Truth) on their way to Freedom City via the Underground Railroad. From Part 2.
Naked Boy page
The Naked Boy's arms are replaced with branches in Freedom City by the Melonheads. Part 2.
Naked Boy page
Cash (Bobby Seale/ John Henry) leads a revolt out of Freedom City. Part 2.
Naked Boy page
The Governor of Freedom City and the General of the City of Big Men (Dick Cheney) discuss their plans to expand their power. Part 2.
The Naked Boy comic page
Frank the Bum (based on Woody Guthrie) tells his story. Part 3.
Naked Boy page
The Naked Boy's sister Ursula and The Great Bear discuss the impending birth of their twins. Part 3.
Naked Boy page
Frank the Bum (Woody Guthrie) and The Naked Boy visit Western Town as the Cavalry (General George Custer) closes in. Part 3.
Naked Boy page
Big Man (Sitting Bull) tells the story of people. Part 3.
Naked Boy page
The cavalry (General George Custer) is consumed by a twister. Many Coups (Dennis Banks), Makes Song (John Trudell) and Big Man (Sitting Bull) look on. Part 3.
Naked Boy page
The Naked Boy's final form. He has become the American landscape and dreams its geologic history. Part 4.
Original cover painting for Part 2
Watercolor and graphite on paper. 2008
Naked Boy postcard
A color postcard of Ursa Major standing before the recently blinded Pirate the Snapper Turtle. Bonnie, one of the Pleiades lies in the grass.
Gloria Steinem poster
Printed at Cumbersome Multiples.
Frederick Douglass poster
Printed at Cumbersome Multiples.
Walt Whitman poster
From the Naked Boy poster series printed by Cumbersome Multiples.
Mama Lou poster in situ
Mama Lou poster on a street in Portland, Oregon.
Wall drawing at Atlanta Center for Contemporary Art
A detail of the installation and 45 foot wall drawing at Atlanta Center for Contemporary Art in 2008.
Installation at Atlanta Center for Contemporary Art
Detail shot of 2008 installation at Atlanta Center for Contemporary Art
John Henry Holding the Dying Frederick Douglass
2008 sculpture at Atlanta Center for Contemporary Art. Part of a series called "Proposed Monuments". Sculpture is terracotta and wax.
Installation at Museum of Contemporary Craft
2013. From the We Tell Ourselves Stories in Order to Live at Museum of Contemporary Craft. Letterpress and blockprint posters on newsprint wheat pasted and stapled to the wall. Largest woodcut is 5 feet tall.
Woody Guthrie poster
2013. From We Tell Ourselves in Order to LIve.
My Hand is on the Wheel
Detail from We Tell Ourselves Stories in Order to Live.Printed at Cumbersome Multiples. 2013
Great Bear print
This is the first of limited edition prints done for each cover of the series.